I often turn to Bignell at short notice when I’m not sure what’s coming next on the blog. There are so many striking images in our collection that even a random selection works. I’ve been working on a full length post with a particular theme, looking through the collection for suitable pictures but scanning any that appealed to me. In the course of this I came across enough images for one of these short posts. Most of these pictures come from the 1950s when Bignell was first making a name for himself, and they all feature children.
If you’re not familiar with Chelsea Bridge you might think they were doing something dangerous, but they’re not. The parapet is pretty wide at this point. The picture is dated 1954. Battersea Power Station, in the background is still under construction. (It was built in two phases, one in the 1930s and one after the war. Here Station B is still awaiting the completion of one of its chimneys.)
The boys in this picture are in mild peril of falling off. I admire them for the sheer silliness of what they’re doing.
The dog is clearly amused. This is 1956, and another of Chelsea’s bridges, Battersea.
Speaking of Battersea, what about the Festival Gardens in 1954, a remnant of the Festival of Britain which lingered on for many years although I think this feature had gone by the first time I went to Battersea Park.
A quiet spot for mothers to take young children, with the possibility of water- based play for older ones. There was a paddling pool not far from this spot but on this particular day you could get your feet a little bit wet if you fancied that. No danger.
The duo below are doing nothing risky either , in 1959.
Although they’re clearly starving.
In another part of Chelsea in the same year, a more decorous pastime.
The girls are having to dance with each other at Victor Silvester’s Dance Studio at the Gaumont Cinema, in the King’s Road. This is the rock’n’roll era, so are they jiving? (I’m no dance expert)
I recently attended the premiere (at the gate Cinema) of a film called Two Potato, an exploration of urban play made by pupils at Colville School in conjunction with Digital Works, a regular partner of the Local Studies library. You can see it here:
(Full disclosure: I’m among the people who get thanked in the credits.) There’s usually a Q and A after the film in which someone asks the film makers if they would rather have lived in the days depicted in photos by Bignell and others, when kids apparently wandered the streets looking for odd things to do, as in today’s pictures. Rather than the screen dominated lives of modern children. I always like it when someone says no. I enjoyed my 1960s childhood, which did involve a certain amount of wandering around unaccompanied by adults, but in my opinion there’s nothing wrong with modern childhood. There’s more Lego for one thing.
Today’s monkeys in the archives are working on a private project.
Quentin and Vinnie are doing the searching while Steve keeps a look out.
See you tomorrow.