People seemed to enjoy the last Chelsea stories which featured plenty of images from the 1990s, so we’re carrying on in a similar vein, with a mixture of photos by JW Figg from different decades.
You might think that this section of the King’s Road, the main shopping section since the 1960s is just a succession of shops, some trendy and some not so trendy and that the story of the street is one of hip new independent boutiques gradually giving way to chain stores and international brands. But it’s a lot more mixed than that, with a few sections which have provoked controversy along the way. Come with me on a journey through time and space…… (as one of the presenters of the new version of Bake-off used to say. He probably won’t be mentioning eels in his new job).
This picture from a rooftop vantage points shows where we left off, with Chelsea Old Town Hall, Chenil Galleries, Moravian Tower (with scaffolding and green mesh), the World’s End Estate, and Lots Road Power Station visible in the distance.
Just past Habitat, almost opposite the these shops, there was a pub called the Lord Nelson which John Bignell used to like. In the 1970 it got a bit of a makeover.
According to the Chelsea Post of July 10th that year you could “do your own thing” in this “supersonic..disco pub” .
That woman wasn’t convinced. Ind Coope goes painfully pop art. Let’s follow her example and turn our eyes away and look across the road.
To another view from above, of Antiquarius, one of the road’s survivors.
And looking in the other direction.
Looking down at the corner of Radnor Walk, with the Chelsea Potter just visible on the right. The building where there was a branch of Hugo was a hole in the ground a year or so ago, although its replacement bears a slight resemblance to the overall shape. Here a couple of pictures from few years earlier showing the view at ground level.
First, the plain 1970s frontage of the Potter, with Green and London, builder’s merchants, beside it.
then the corner building again as an outlet for the Wine Growers Assocaition.
Take note of the mixed bag of buildings beyond it. After the one with the gabled roof and the three story building, most of them were demolished in the 1990s.
Here is the entrance to a small semi-industrial zone which hid behind the shops. You can just make out the name Carter Patterson on one of the buildings. If you look back to this post on aerial views you can see a little of what was there.
Residential apartment buildings were created at the back with a row of shops including Marks and Spencer’s at the front. Of course M&S wasn’t the first supermarket in that location. Local residents will remember a branch of Gateway (one of the many names of the supermarket chain also called Somerville and International) which was there for only a matter of months it seemed. The cavernous interior always seemed semi deserted when my wife and I went into it, like a ghost shop in my memory, although it can’t have been as bad as that. It was a case of the wrong shop in the wrong place, especially as that branch of M&S feels like a King’s Road institution now.
Here’s the empty space:
And what filled it, looking back. The buildings beside it, such as the Good Earth restaurant were also demolished. M&S and a few other businesses are there now.
The north side of the road includes that other architectural fixture, the Pheasantry. These days it looks like it hasn’t changed since the 19th century, but there was a time when it was reduced to the bare essentials.
The facade, held in place by scaffolding as we’ve seen many times before all over London.
A colour view, from the side.
This was the Pheasnatry in earlier years. The statues have been painted various colours over different periods. There is a post on some of the building’s inhabitants here.
What’s that next door?
A colourful branch of the Classic cinema chain, showing Jack Lemmon and Julie Mills in Avanti! (1972). I saw it quite a few years ago and liked it, but I don’t know if I would now.
Some of you enjoyed Figg’s random shots of people passing Manresa Road in the last post. Figg wasn’t all that good at street photography. He puts me in mind of Dylan’s Mr Jones – “something is happening around here but you don’t know what it is”. Here are two passable pictures taken opposite the Pheasantry.
An old school cool dude as far as 70s style is concerned.
And some classic punks from the late 70s. The woman with her back to us looks like she’s being photographed from front and rear. I have a friend who took many pictures of Kings Road style in the 70s/80s. One day I hope to present some of her work here. (Hint)
This picture shows the Pheasantry with its new companions, after redevelopment. If you go there today you can see how the new buildings were joined to the section of the façade that was preserved.
In the next block is a relatively modern build, for a branch of Barclays Bank. It looks like a bank I have to say, not much like a branch of French Connection, although it has been that for many years. The feeling of a bank has remained though,
along with an original feature:
This sculpture, placed on a plinth above some steps to the basement just inside Markham Square, was installed by one of the branch managers, who was, according to one of my correspondents, a sculptor himself. The odd thing about the object is its obscurity. Despite having walked past it for years I (and others I asked) had never noticed it. The stairwell has been covered over but the sculpture sits in more or less the same place, huddled up next to the window near some steps leading to a locked side door. Does it qualify as a public sculpture, or is it sitting on private land? Whichever it is, just have a look for it next time you’re passing. I have taken several people to look at it recently, taking credit for “discovering” it, although of course the credit is not mine.
We haven’t even got to Sloane Square! Maybe next time. This post is dedicated to Christine, whose time I am often wasting.
I haven’t noted any deaths recently, I’m pleased to say, but in keeping with my habit of recording the passing of musicians can we spare a thought for Walter Becker of Steely Dan who died this week. As a man of a certain age the period when Steely Dan were at their peak was also an era when I was young and preoccupied with music. Nearly all their lyrics are memorable in some way but the song that sticks in my mind is one of the best science fiction songs I know, King of the World, from my favourite Steely Dan album Countdown to ecstasy
If you come around
No more pain and no regrets
Watch the sun go brown
Smoking cobalt cigarettes
There’s no need to hide
Taking things the easy way
If I stay inside
I might live til Saturday
No marigolds in the promised land
There’s a hole in the ground
Where they used to grow
Any man left on the Rio Grande
Is the king of the world
As far as I know
Thank you Water Becker.