Tag Archives: Bernard Selwyn

Before the Westway: a North Paddington skyline

This week we have the long awaited return of my occasional co-blogger Isabel Hernandez who grew up in the area  sometimes called North Paddington and has many memories of it as it changed in the years around the building of the Westway. Like myself she has been looking closely at the photographs of Bernard Selwyn.

 

The city skyline changes over decades much as mountains change shape over centuries. Our small local areas, places we call home, or used to call home, places we are familiar with, are no different. These urban cityscapes seem to undergo a makeover every fifty years or so. From the overcrowded terraces of the Victorian period to the later concrete brutalism of the 1960’s, we are now witnessing the era of glass and mirrors built in angular shapes in what is now contemporary modern architecture.

Still, the shadows of the past remain in photographs and to continue with my study of the Westway (Paddington-side) I thought I would share with you a few more images of this corner of London before the infamous Westway motorway was built.

Below is a panoramic view of North Paddington bordered by North Kensington at the top. You can see the Kensal Gas Works and the St Charles’ Hospital tower, formerly the Marylebone Infirmary. [Click on the image to see a bigger view]

The Great Western Railway to the left cuts unimpeded through the built-up area.

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This is the same view a a short time later. The second tower block – Oversley House – is under construction.

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Below,a closer view. In the background you can see Ladbroke Grove bridge more clearly, connecting North Kensington to Paddington. If you look closely there is also a footbridge on the left that appears to have a tree growing out of it. Obviously it isn’t, but from this angle the bridge resembles a horizontal chute. It wasn’t a very appealing crossing, but it was a shortcut through to Westbourne Park and North Kensington. I made use of it many times, sometimes late at night, probably not a very wise thing to do with hindsight, but it saved time. The dilapidated Victorian houses, a stark contrast to their taunting new neighbours, await the bulldozer. Nowhere was there a more densely packed neighbourhood than in this part of Paddington.

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The houses come down and a temporary wasteland is created, with the exception of these houses in the foreground. They do seem a little grander than the terraces behind them and I wonder why they are still standing at this point when their neighbours have been demolished

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The strange case of the solitary houses. I suspect they were slightly more upmarket than the usual fare in the area. There is also the interesting feature of the residents coming and going as has always been their routine perhaps; shopping or simply getting from one place to another. The lady (left of the house) probably had no idea she was being included in a photographic survey.

 

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If you like trains, then the Great Western Railway before you would have been a spotter’s delight. Below is possibly Alfred Road or Torquay Street in the pre-redevelopment period. There is a builder, or certainly a very brave man,who appears to be intently prodding the side of a roof with a stick. By contrast an elderly gentleman with a walking stick is passing by, perhaps studying the changes in his area. Although there is a lot of pixilation when studying photographs at close range, when they are enlarged there is still enough to intrigue us.

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The juxtaposition of the concrete towers to the dilapidated, slum terraces is a striking image – like two Lego blocks strategically placed inside of a crowded moat. Although you cannot see it, running parallel to the two tower blocks is the Grand Union Canal.

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Below is a composite image of three photos showing the lower end of the Harrow Road. None of the shops seen here along the length of the long street now exist. Many have been replaced by the various convenience stores and take-away outlets you see today. On the corner of Bourne Terrace the Stowe Club was opened, now a doctor’s surgery and offices I believe. Many residents within Paddington and North Kensington did a lot of their shopping along the Harrow Road.

Westbourne Grove, by contrast (to digress a little), was more the Bond Street of the area with William Whiteley identifying the road as having future potential once the underground railway opened in 1863 and many more transport routes being opened up. He opened a small drapery in the area, tentatively doing what is essentially market research and gaining experience before expanding to what later became the department store, Whiteley’s of Queensway, attracting and catering for the wealthier clientele residing around Bayswater and Hyde Park.

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Here is another image of the same area, magnified a little to give us more detail. If you look closely you will see the ‘Tardis’, a police box, no doubt placed there to keep an eye on things whilst the area was undergoing its concrete revolution. A billboard to the left advertising glue is almost comical given the toy-like remodelling we see from this perspective

 

 

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In the picture below, the Post Office Tower, the highest building in London at the time, can be seen in the distance. It is almost impossible at this point to imagine the Westway being a part of this landscape. The Harrow Road here is clearly seen under an open sky. Within a few short years all of the buildings on either side of the Harrow Road in this image were demolished, and the Harrow Road itself partially covered by the huge motorway above it. Engineering ingenuity in the name of progress or engineering folly – a question that is still debated today.

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Another composite image I pieced together looking north:

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I had to include this one as it’s my old address – Gaydon House. I lived there for about 26 years. That is a long time to be anywhere. The rather forlorn, gothic-looking tree in the foreground appears in quite a few of the photographs before it was unceremoniously cut down to make way for more flats and other younger saplings ready for the next generation. All remnants of what came before, almost vanished within a ten year span.

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Below is Westbourne Park Villas. It runs parallel to the Great Western railway on the other side of the tracks. The spire of St Matthew’s Church can just be seen to the right of the image and in the middle you can just about make out the dome of Whiteley’s. A little behind that is the dome of the Royal Albert Hall. On the left, along Bishops Bridge Road, are a series of buildings that make up what was known as The Colonnades up until recently, before Waitrose took over. Further back, (I had to really expand this image), you can make out the four chimneys of Battersea Power Station. After being derelict for many years, and a few investors later, it is now undergoing a major redevelopment: the usual combination of luxury flats and shopping outlets so typical of London now.

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Here’s another view of Westbourne Park on the other side of the tracks, looking further west towards Notting Hill and Kensington – an interesting mixture of modern flats and late 19th century villas.

 

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And finally, a colour image of the Harrow Road most likely photographed by Selwyn from Wilmcote House, the first tower block to be built of the six now in existence. Two buses (probably the number 18) can be seen making their way north. Interestingly there existed along the Harrow Road a 2 ½ mile track from Amberley Road to Harlesden around 1888 for trams. These were replaced around 1936 by trolleybuses and later still (1961-2) by motorbuses such as the ones you see in this image.

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As always Selwyn’s wonderful collection of photographs fails to disappoint. Dave and I have posted a number of them now on the blog knowing that you will probably appreciate them as much as we do. Or at least we hope you do. The posts I have written thus far about this part of Paddington are obviously a trip into a past that pre-dates my tenancy there, but in my view, still feels so very familiar and nostalgic. Now, not having lived in the area for a few years, I feel more like an outsider looking in with an abstract knowledge of a community I was once a part of. What I realise when I look at historical photographs, is just how temporary everything is, and how changeable. The only forever in these instances are images such as these frozen in time. Perhaps this is why we always find them so appealing. A record of a slither of time that we witness much as a fictional Time Lord in a Tardis would. Except we do it without having to travel very far.

 

Postscript

Thanks to Isabel for another fascinating post. I particularly like the panoramas she has created, something Selwyn himself used to do using the medium of sellotape. Once again, if anyone knows an easy way of adding an author in WordPress I’d be grateful.

I will spend my week off working on some new posts in an unhurried languid sort of way and return next week with some of the usual stuff.

Dave.

 


Earls Court days – Selwyn at home

Hogarth Road is opposite Earls Court Station. Walk up it away from the station and veer left. You’ll come to an alley called Hogarth Place. Take that and you’ll be in Kenway Road. Carry on walking and you’ll find a pedestrian way through to Cromwell Road, coming out near the Cromwell/Bupa Hospital. Cross the Cromwell Road and Marloes Road will take you to Wright’s Lane and ultimately to Kensington High Street. If you’re walking, that’s the quickest way. I’ve done it plenty of times to get from Brompton Library back to Kensington Library. I never fancy going all the way to Warwick Road to get the bus to the High Street. (They only go one way on the southern section of the Earls Court Road). So I know that bit of Hogarth Road and Hogarth Place quite well.  I hadn’t realised that this was the area our wandering surveyor Bernard Selwyn called home. He devoted a lot of time to recording building work, details of the walls and roofs  and pictures of the streets nearby from many angles.

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Looking down Hogarth Road and Hogarth Place in May 1984. A typical day in early summer, the people heading towards and away from the Earls Court Road.

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These are unlike many of his other pictures which are purely about the buildings. These are also about the individuals on the sreets.

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The pictures come from 1982, 1983, 1984 and 1979. Arguably the end of what some writers have called the long 70s. Earls Court had a reputation for being a bit seedy, but also very lively.

The pre-occupations of the the shopfronts – food, flats and videos.

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Cars parked in every posssible spot.

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Short stay hotels and hostels.

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Hanging around.

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Looking at noticeboards:

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Maybe a bit closer:

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More hanging around:

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Maybe waiting for something to happen.

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I love that jacked up Merc.

Selwyn lived in an upper floor flat and had access to the roof, so he could take pictures like this:

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And this (1979):

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A similar view a few years later in 1984:

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Life observed from a high perch.

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And down at ground level.

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Summer evenings at the pub.

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I think someone spotted him taking the picture. I expect people were more relaxed about that in 1979.

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Even on a wet November day he liked it.

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But it was best in the summer.

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Postscript

I was intending something quite different this week but that is going to take a little longer and lots of people seemed to like Selwyn’s look at Shepherd’s Bush so I moved this post forward. The late 70s and early 80s don’t seem all that long ago to me. Do you kn ow any of the people in these pictures?

Or maybe that’s not so likely. The one thing that was true about Earls Court then was that many people came there and moved on just as quickly.

Oh and if the text seems a bit slight this week, my apologies. I’m at home witha cold. But the blogging never stops.


On the border 3: Selwyn in Shepherd’s Bush, 1971

We’ve moved right over the border this week, into the Borough of Hammersmith, as it was known in 1971. These pictures are a continuation of Bernard Selwyn’s work on the post-industrial  locations near the old Latimer Road and the St Ann’s Road area. It was natural for him to cross the West Cross Route and take a look around Shepherd’s Bush Green, and quite natural for me to follow him. The borders of London boroughs are set on maps but not always so distinct in the minds of people on the ground, as our excursions into Paddington have shown. Or I could just say that I liked the pictures, and wanted to show them.

As in a previous post, the originals are colour photos in a tiny format which nevertheless have survived the forty or so years since they were taken in good condition. Here are a couple showing the roundabout between Holland Park Avenue and Shepherd’s Bush Green.

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A quiet moment on the roundabout.Was traffic actually this light in 1971?
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Above, the towers of the Edward Woods Estate, which was and is in Hammersmith, although most of the roundabout is in Kensington and Chelsea.

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There you glimpse a low slung car in an unflattering orange colour. I won’t ask anyone to try and identify it. And a Routemaster bus. We’ll look at that white building later.

Below, a woman in black trudges eastwards. See comment – I’ve amended her gender)

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Below, a better view of that foot bridge over the light stream of traffic.

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On the north side of the Uxbridge Road was a public house – The Mail Coach

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And the building beside it.

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In 1971 Kelly’s street directory lists it as the home of Sage CDO Ltd, an industrial holding company but it had formerly been the surviving entrance to the Franco-British Exhibition of 1908. A little more on that later.

Below you can see the modest entrance to Shepherd’s Bush tube station.

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And, from the other side of the foot bridge, a closer look at the temporary looking structure. I’m outside my area of local knowledge here so I’d be happy for any residents of Hammersmith and Fulham to tell us how long the bridge lasted. I wouldn’t trust my personal recollections but I don’t remember it being there in the 1990s. (Later: but it was – see postscript).

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Below, another lone passer by on those quiet 70s streets. You can just glimpse the towers of the Sage building in the distance, truncated after their glory days.

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On the same side of the road was a relatively new shopping centre.

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Note the branch of Liptons, a now defunct supermarket chain, and some brightly decorated To Let notices on a vacant shopfront. More of those below. (The Liptons company was started by Thomas Lipton who was also the founder of the tea company of the same same. Liptons were part of a group called Allied Suppliers. Many of their stores were re-branded as Presto,a name some of you will remember. Allied merged with the UK arm of the American chain Safeway. Many former Safeway stores are now owned by Morrisons, to bring the story up to date.)

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A bit of a throng down there if you select the right angle as in the picture below. This secluded arrangement was typical of the period. Some Chelsea readers will remember the small enclave on the King’s Road opposite Royal Avenue where branches of Boots and Sainsbury’s sat in their own little precinct (with a piece of civic sculpture?)

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If we turn back towards Kensington we can now have a look behind the Sage building.

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As you can see, a series of large sheds extended back from the former exhibition entrance. Selwyn might have taken these pictures from his vantage point in the North Kensington residential tower block Frinstead House. He seems to have been interested in these connecting structures, which we saw in the previous On the Border post

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They carried on through the railway lands, leading to the exhibition site and later to the White City Stadium, which is visible below.

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Much of this area has been redeveloped now, and the Westfield Shopping Centre covers most of the ground up to those two redbrick buildings with sloping roofs you can see in the centre of the picture. They were engine sheds, which survive now as bus garages.

I was intrigued by the long sheds when I first saw them in Selwyn’s pictures. I’ve been told that they were used by a number of companies for a variety of purposes, as they had lots of space for displays. I think they also appear as a sinister location in Nicholas Royle’s novel the Director’s Cut. (Not quite a candidate for my Fiction in Kensington and Chelsea series of posts)

We can go back to Kensington now. Although this week’s post has taken us out of our core area of interest I felt impelled to present these pictures for you. They’re a continuation of Selwyn’s journey but also a glimpse into the full colour of 1971, on a sunny day in May when the past didn’t look quite as grim as black and white images sometimes make it appear.

Below, we can see the area at the south of Norland Road where a foot subway has cut away the end of the street. That cryptic tower structure may be some kind of access point for the infrastructure below. (The London Ring Main later passed underneath here) And those two young women dressed in white are also typical of the optimistic 70s.

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Postscript

I hope you liked our short excursion westwards. In Kensington and Chelsea we’re never far from one border or another. As with other pictures from this period, many of the buildings in the pictures are now gone. I’m looking at another Selwyn based post in the near future but that one will be well inside Kensington. Thanks once again to Maggie T.

Postscript to the postscript

Thursday lunchtime. @cfcaway sent this amazing picture showing the foot bridge in the 90s:

from-cfcaway

Thanks for that.

 


From the Penta Hotel: 1974

In this week’s post our roving surveyor Bernard Selwyn leaves his perch on the West London Air Terminal / Point West and crosses the Cromwell Road to take up a vantage point on one of the upper floors of the Penta Hotel which we saw last week. This was it in the days of the Air Terminal, not one of Selwyn’s pictures.

Copy of Penta Hotel

The 25-storey Penta was designed by Richard Seifert and partners and built in 1971-72. Although it looks vast and imposing it was actually smaller than the original design which would have included a bridge to the Terminal. The Architectural Review, in a piece called “Bad Dreams coming true”, called it “a terrifying interruption of the weave of this part of London” although the writer did admit that the large site meant it could sit out of alignment with the buildings next to it which caused less harm to the street layout. I love architectural language. “What the passer-by sees is an apparently chaotic pile forcing its way upwards through successive layers of low level impediments.”

Is that a Ford Capri in the foreground?

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The hotel was subsequently called the London Forum and more recently the Holiday Inn. It still sits rather incongruously among the other buildings which line the Cromwell Road although in the passing years residents have grown used to it.

Selwyn got to one of the upper floors in 1974. I’ve made a selection from two films showing the views he got from up there.

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I like the way part of his vantage point is visible in some of the pictures. It makes it easier to picture him leaning out of a window to take the pictures. As someone prone to vertigo (who has nevertheless been up many tall buildings) I get a hint of the danger / thrill of high places in some of these pictures. This particular view is not  terribly interesting but it does show the Gloucester Hotel (1972-73) which the Survey of London describes as “better-mannered” than the Penta. It certainly blends in with the skyline. Below you can see it next to Bailey’s Hotel which was built almost a hundred years earlier.

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This view shows Gloucester Road and Cromwell Road looking east.

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And there’s that white building I referred to last week. After writing last week’s post I was looking through the packets of photos and found a couple which would have answered my question immediately.

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Here you see Gloucester Road Station laid bare, before it was built over in the 1990s. There are two trains, in different liveries,  stopped at the platforms. on the right a sparsely populated car park is is temporary use. Below you can see the outline of Lenthall Place.

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The buildings are gone, and the former mews has become another parking area. The former bank on the corner of Gloucester Road has gone (see it in this post) and the remaining buildings are propped up with scaffolding. Can you see that irregularly shaped structure next to the trees? What was that used for, I wonder?

Selwyn turned towards central London.

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The green domed tower of the Imperial Institute is a nearby landmark. The tall buildings further away are harder to make out. So look in the foreground at the surprising bulk of St Stephen’s Church.

In the next picture Selwyn pointed at the Natural History Museum but he also caught the V&A, the Brompton Oratory and in the distance you can make out Big Ben and St Paul’s.

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And then there’s this 1960s  building, relatively recent in 1974.

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Still called the Post Office Tower at this time, and still a bit of a wonder against the relatively subdued north London skyline.

This was a much more familiar landmark.

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The picture shows how impressive the Albert Hall must have been when in dominated the landscape around it. You can see the Gothic spires of the Albert Memorial rising above the trees of Kensington Gardens.

Selwyn must have moved to a different vantage point for this view westwards.

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The unmistakeable Earls Court Exhibition Centre and beyond it the Empress State Building on Lillie Road, a significant local landmark.

Continuing the movement round, we’re now looking south west.

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The gasometers are south of the New King’s Road. You can also see the back of one of the stands at Chelsea Football Club, and below it the trees of Brompton Cemetery, the dome of the chapel just about visible. The cemetery grounds are also visible here

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The church, after some puzzling, I think is St Luke’s Redcliffe Square.

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Now this church is St Mary the Boltons, but there are two cathedrals of power generation in the background, Lots Road, showing one of its chimneys, and Fulham with four of them in line.

Finally, a look down from where Selwyn was standing to see some smaller but still impressive chimney stacks surrounded by trees.

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Postscript

I must have set some sort of record for the number of links to other posts here, but like a virtual Selwyn I’ve covered a lot of ground since starting this blog. There are going to be another couple of posts based on his pictures coming up soon, but neither of them covering as wide an area.


Beside the Cromwell Curve: 1985

This week’s post is a kind of sequel to the one about the West London Air Terminal which has proved to be enormously popular and attracted comments from many people who remembered a building I dared to call forgotten. Regular readers will be aware of the photographs of Bernard Selwyn, a surveyor who worked in west London who left the Library in his will a large number of photos he’d taken during the course of his work. He had time to indulge his own interests in London history and he frequently had access to vantage points not everyone could visit. This was in June 1985, well after the Terminal had closed, but before some of the development in the area around it.

The big change was the arrival of Sainsburys in 1983 which would then have been the biggest supermarket in the area.

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Selwyn seems to have got inside the space above the supermarket, either in the main structure or the parking/lift tower beside it. Either way he found a few spots well above ground level, looking down on the Cromwell Curve, that point where railway lines coming from Gloucester Road, Earls Court and Kensington High Street meet just below ground level.

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There is the point where the tracks go underneath Cromwell Road to get to Gloucester Road Station. In the background is the Penta Hotel, later the Forum and now the Holiday Inn. On the left are houses in Emperor’s Gate. You can see some extensive undergrowth by the side of the tracks which extends onto a then vacant area. It’s built on now but in 1983 there was a curious sight.

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One of the buildings has some serious buttress work. It almost looks as though wooden arms were stretched out, frantically trying  to keep the building standing. in the background you can see what was then a church of the Russian Orthodox Church in Exile which took over a building which had been a Baptist, then a Presbyterian Chapel. the Russian Orthodox Church was there from 1959-1989. Later it became a church hall for St Stephen’s Church, Gloucester Road.

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This view shows the track heading north towards High Street Kensington Station. The buildings next to the track belong to the Underground. You can see them more clearly in the picture below which also shows  what look like ramps for cars.

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It’s always curious to see the rear of these comparatively tall residential blocks.

 

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There are the twin tunnel entrances heading under Cromwell Road, and a neat little staircase leading up that odd little overgrown space. Across the street you can see the site where the Gloucester Arcade was built and beyond, the station platforms which were covered over by the development. I don’t know what the white building was. Anyone? [Update Thursday afternoon – see the comments section below for the actually quite obvious when you look answer, provide by an eagle-eyed reader.]

Selwyn was obviously taken by the view towards Emperor’s Gate. See the signs for the Genesta hotel?

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Now he swivels back to the closest rear view, of Cromwell Road itself. These buildings follow the curve of the track and because of that some of them are surprisingly narrow.

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I always imagined that this could be the spot in the Sherlock Holmes story, “The Bruce Partington Plans” in which a body is dumped on top of the roof of a train and carried away for miles before discovery at Aldgate. (Holmes works it out of course with his keen knowledge of the the then modern railway system). But  Holmes experts have determined that it was actually further west. You can see how close the windows are to the tracks though. The rear configuration of the buildings is surprisingly varied.

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Look at the complex set of  fire escape in the next couple of pictures. Is there a train coming?

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Yes.

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And Selwyn can’t resist taking a picture as  one passes.

This (almost) final picture takes us back to the start with that heavily scaffolded building next to the tunnel entrance for the tracks to Earls Court.

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That coach, or one very much like it is still parked on the pavement.

Of course, when you’ve got a camera in your hand there’s one thing you’re always going to take a quick picture of:

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Who can resist a blimp? Note the remaining tower of the Imperial Institute poking up above the skyline.

Postscript

In a previous Selwyn based post I included my personal tribute to the late Glenn Frey. By coincidence there was another recent death in the music world which saddened me. Sandy Pearlman was not a performer. He wrote lyrics for the Blue Oyster Cult, managed them and produced many of their albums. BOC were a strange hybrid of heavy metal, psychedelia and that glossy hard rock of the early 1970s. Pearlman contributed to the atmosphere of the occult in many of their songs, but his main claim to fame is as a producer. Albums he produced had a unique guitar sound, whether it was the Dream Syndicate (the only time I ever bought an album because of the producer), the Dictators (their album Manifest Destiny contains my personal theme song, “Sleeping with the TV on”). Pavlov’s Dog (featuring the bizarrely high voice of David Surkamp) or most famously the Clash whose second album Give ’em enough rope was produced by Pearlman in an attempt to break the band in America. Someone on the  radio called it the best guitar album ever made. I wouldn’t go that far but if you’re not convinced play the first three tracks on the album (or just the third,”Tommy Gun” ) and you’ll see for yourself. After you’ve recovered try “Astronomy” by the Blue Oyster Cult, one of my favourite songs ever.

Thank you and farewell, Sandy Pearlman.

Postscript to the postscript

In the days of film cameras you always used to use up the film with a few unrelated pictures at the end. Selwyn was no exception to this rule. In this pack of photos there were a few of St Paul’s Cathedral and a couple of this building, which I’m sure one of you London experts will immediately identify.

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No prize, but it would be quite nice to know.

 


The Westway in colour: 1971

A friend of mine once defined psycho-geography as walking around and thinking about what you see. By that definition we’re all psycho-geographers at one time or another. So although Bernard Selwyn had no notion of psycho-geography when he took these pictures, he was on a psycho-geographical tour into new territory. This  week’s post takes us north of the Latimer Road areas we’ve been looking at recently to look at the almost new Westway in full 1970s colour.

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A concrete island, with high rise blocks of flats on the Silchester Estate.

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It looks remarkably pleasant doesn’t it, even if you discount the bright tone of film processing in those days? A garden space with newly planted trees, above which interlocking curves of concrete soar in a harmless fashion. In the distance bright airy towers bring modernity and convenience. The residents lived in the sky, where once they had to huddle in crowded streets. Well, that was the idea anyway. The high rise living concept was optimistic, but already tinged with misgivings even by 1971.

Construction work was still going on when Selwyn passed by.

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This is the point where the Westway met the giant roundabout which connected with the West Cross route, which we’ve already seen in Selwyn’s pictures. One of those towers is Frinstead House, Selwyn’s vantage point for some of his pictures, although the one that looms largest in the picture may be Markland House and the far distant one to the left Dixon House.

Those two drums caught his attention more than once.

There is little traffic as yet on the road above, and that van looks like it barely belongs in 1971.

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What’s that in the middle of the road. Some kind of roller?

This view looking more or less east.

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A single resident crosses the new space. Here she is again.

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This view is looking south. You can make out the towers of the Edward Wood Estate and signs of life beneath the concrete decks.

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Behind the chain link fence wagons, possibly belonging to totters or market traders.

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The chimney is another landmark, on the Hammersmith side of the West Cross Route.

Now we head south.

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Beneath the shadow of the slip road we head back towards the streets we already know.

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The building in the foreground is a school, labelled Thomas Jones School on the 1971 OS map but later I think, known as Latimer school. It became a referral unit. In the gap between is the Phoenix brewery and then the Harrow Club glimpsed in the previous Selwyn post, formerly Holy Trinity Church. In front of that, the yellow painted building, formerly a pub, was the Ceres Bakery.

23

The classic  late 19th/early 20th century school design, tall and imposing with large windows for enlightenment.  It makes an interesting contrast  with the tower behind

21

Here, Selwyn took a look back.

20

The slip road runs into the West Cross rout. In the emptiness the lights, the gantry, the grass and the saplings wait for whatever comes next.

Later there was a a BMX track here.

19

The fence on the right conceals the West Cross Route heading south to Shepherd’s Bush.  If we follow around the corner….

27

we come to the point where Bard Road gives up the ghost. We’re now looking directly south.

28

A train crosses above the road. In the foreground the steps lead up to the former Harrow Mission, the oldest building in the immediate area, a precursor of the Club. The entrance is bricked up but that was just a temporary measure. then but not now. The building beyond is the rear of the steam cleaning company seen in the previous Selwyn post, later demolished  and now one of those large storage facilities with identical silent corridors.

All these pictures come from 1971. A picture from 1988 shows the Westway after more than a decade of use.

Silchester Estate 1988 003 - Copy

There you can see Markland Tower with the full sweep of the roundabout and the interconnecting roads behind it, a gasometer in the distance an a view looking down at the school building in the foreground. That may be the BMX track behind it.

I can’t say what Selwyn’s feelings about this new landscape were. But there are some more pictures on this roll of film which provide an addendum to this post.

Latimer Road had like Bard Street been truncated by the new road but if you follow its path north on older maps, it comes to a junction with North Pole Road. In that vicinity you find Wormwood Scrubs, then as now an open patch of land.

I can’t place these photos exactly. Perhaps they’re on the west side of the Scrubs. Old Oak Common, Acton and Park Royal have all been suggested to me. Selwyn was evidently up here to record some activity connected with scouts or cadets.

05

So in contrast with the new development further south, here’s an idyllic patch of land with some small scale activity going on.

06

A couple of men in suits walk through an quiet landscape heading home.

03

For those of you who know the area this picture should provide a good clue.

00

Any suggestions are very welcome.

Postscript

My thanks to Maggie and Barbara for their help identifying buildings and general orientation. This is the last Selwyn post for a while but we’ll definitely see him again.

We’ll be doing more on the Westway this year so watch out if you’re a fan of concrete.


Latimer Road 1971: life in colour

As promised in the last post featuring photographs by Bernard Selwyn this week there are some colour pictures. I frequently feature monochrome images of this period on the blog, which sit in the space between living memory and the historical past. The overall effect is of  anchoring those places in the past, especially if you’re looking at streets or buildings which no longer exist.

Colour prints, especially those which have survived the years with their colour tone intact have the opposite effect, making those same places look modern, as if you just looked through a car window speeding past. Even if the cars and buildings are distinctively from another era you still feel closer to them.

Selwyn has a number of these colour prints, tiny by modern standards which capture that feeling of nearly being back there.

col 01 - 02 27 jul 1971

This is Latimer Road in 1971 looking north. The brick building with the vans parked in front of it is M-Gold & Co, the scrap metal merchants, at number 119. The other interesting features are the two-tone Triumph Herald, the dilapidated house whose first floor windows are covered by a billboard announcing the nearby location of the Fidelity Radio works (Selwyn took a special interest in that building). And of course, the rag and bone man’s horse taking some well-earned refreshment in the right foreground.

col set 01

The edge of the M Gold building, on the corner of Evesham Street. A Rover saloon is parked there, a classic managing director’s car. But what’s that on the next corner?

col 07 27 jul 1971

A two tone pick up truck, quite a large vehicle. American? That estate car in front of it looks interesting too. Can any of our regular car identifiers name them?

Let’s move on to that red sign.

col 08 27 jul 1971 - Copy

The Ament Engineering Company, sheet metal workers and engineers of 131 Latimer Road. That extended section of pavement can be seen on the map of 1971 below,near the bottom.

1971 OS map Bard Street detail - Copy

This is a slightly different detail from the one I used in a previous post.It shows a little more of the area north of the railway bridge. It also shows Frinstead House, the vantage point from where Selwyn took some of his pictures.

col looking south from FH 22 jun 1971 8

I’ve also used this picture before but it does help locate the ground level photos in relation to each other. If you look closely you can see the M Gold building and the white fronted buildings north of Evesham Street. The next intersection is Bard Road with the long narrow building on the corner.

col set 01 - Copy (3)

The Flexaire Ltd section of the Ament Company.

The view north towards the bridge:

col set 01 - Copy (5)

A closer look at that corner.

col set 01 - Copy

Do you see that boy sitting on the pavement at the corner? Where did he come from?

Let’s go back up into Frinstead House.

col 04 27 jul 1971 - Copy

We’re looking down at The Patent Steam Carpet Beating Company, just north of the bridge. (I’ve used this image before as well but it does fit with this week’s journey.) Let’s sneak a peak at their rear yard.

col set 01 - Copy (2)

Just a little untidy.

And here’s the building at ground level:

col set 02 - Copy (2)

There’s another one of those managers’ cars, a Rover 3.5. It looks like the so called coupe version, which unlike most coupes had four doors. They were distingushed by a slightly more sloping rear window. Or so my friend Steve told me back in the 70s.

The building which looks a little like a church beyond the works building was I think the home of the Harrow Club, one of two youth clubs in the area run by public schools. (The other was the Rugby Club in Walmer Road.)

We’re going no further north this time but there are a couple more pictures to see.

col set 02 - Copy (3)

This is Olaf Street, which came off Latimer Road south of Evesham Street almost opposite Mortimer Square. The building on the corner is the People’s Hall and has since been restored.

This is further down Olaf Street. This section is much changed nowadays.

col set 01 - Copy (4)

You can see a sign for Dein Brothers (Food importers) Ltd, and some signs of life.

Finally:

col set 02 - Copy

We’re back almost where we started, with a design classic and some colourful houses, at the beginning of what would be a colourful decade.

Postscript

There are some more colour pictures by Selwyn in our collection, further north, and even further west, although they may be outside my usual borders. Expect to see some more of them in the future.


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