I seem to have Bignell on my mind at the moment. I assembled a set of pictures for a recent post mostly taken in Wimbledon which I thought were very pleasant and evocative and I didn’t realise they were part of a larger group of pictures. Someone has been doing some Bignell related research at the library and I went looking for negatives only to find that some of the stacks of yellow photograph boxes contained prints, among which was a set Bignell called “Rural London”. He had evidently roamed around looking for parts of London which looked like the countryside, mostly in west London but occasionally going as far as Leytonstone and Wanstead. Actually I think he got sidetracked a bit because some of the pictures look decidedly urban to me. I decided to start by looking at the views featuring the river, or streams and ponds, because I like waterscapes .(See this post).
Some of them link up with some of the individual pictures I’ve used on the blog. Like this one:
I think we saw some of these boys before, playing about on the river, where the houseboats are moored west of Battersea Bridge.
If you look at the south shore you can just see St Mary’s Church. The thing I always remember about it is that William Blake married Catherine Boucher here in 1782.
Here it is at high tide one of the few surviving buildings from this era. A slightly different view below shows all the giant lettering on the Silver Bell Flour Mill. You can see another view of the church and the former surrounding buildings in this Bernard Selwyn post.
If we follow the path further along along the south side of the Thames you come here, another industrial stretch of building at Mortlake gives way to a tree covered path, now part of the Thames Walk.
The path as I recall it from walking part of the Thames Path when my son was younger gets quite narrow as you make your way to Kew.
Let’s take a watery detour south back to the Wimbledon of that recent post. I feel we’ve seen some of these people before.
Engaged in that traditional pastime of messing about at the edge of a body of water on a warm summer day.
In this picture the mother of some of the party attempts to move them for a pleasant stroll, although not everyone is convince that’s a good idea.
In any case for a casual picture Bignell has produced a marvelously evocative picture of that lazy summer day.
While I’m on the subject of detours a quick verbal sidetrack into the question of dating. I said in the Wimbledon post that the pictures were taken in 1970 while Bignell was living in Tedworth Square (he lived there roughly from 1963-1975). Most of the pictures are stamped on the back with that address. But some of them are also stamped with his previous address in Trafalgar Studios in Manresa Road. (He was there until 1962. The purpose built artists’ studios Trafalgar Studios and Wentworth Studios were demolished in the 1960s). So we have quite a long span for the possible dates of these pictures from 1958 to 1975. Some of them look to be on the early side of that, judging by the clothes or the hairstyles. For others it’s difficult to tell.
Barnes Bridge, with a pleasure cruiser, another timeless scene. From this point there are a lot of pleasure craft on the river.
Like here at Richmond.
And here with that other traditional feature, a ferry.
In the next two pictures the hairstyles provide a clue to the date.
Surely the reason why he took two pictures. The woman and the girl both have striking holiday hairdos.
Any hair experts who could put a date to the picture would be very welcome.
Let’s leave the riverside suburbs for now and get back to what I think is the Serpentine on another summer day.
I’ll come back again to Bignell’s travels on another occasion. If anyone has any thoughts on dates or locations please leave a comment.
The post I was going to write this week is not quite ready as I’m getting some informed input so forgive me for returning to Bignell so soon. However I’m sure you’ve found these pictures interesting as I have, and the post did prompt me to doing some research on Bignell’s various addresses which was long overdue.