Tag Archives: Frank Emmanuel

In the gallery

Local Studies and Archives collections often contain paintings and prints connected with the area they cover, particularly if like Kensington and Chelsea the area is or has been one where artists lived or worked. But that doesn’t mean, of course, that our collection contains dozens of Turners or works by other famous artists. A Local Studies collection is far more likely to have works by lesser known professionals like William Ascroft or William Walter Burgess, or William Cowen, obscure figures like Francis Griffen, amateurs like Walter Greaves (or were he and his brother Henry semi-professionals?),  illustrators like Herbert Railton, unknowns like Marianne Rush and annonymous figures like the artist of the Red Portfolio.

But this is how we like it. It’s nice to loan out one of our small number of Whistler etchings to an exhibition as we recently did but there is far more pleasure in having a much larger number of sketches by Railton or Ascroft or possibly the entire oeuvre of Rush which can be shown to interested parties or blogged about.

This post is an  almost random selection of pictures I have shown to visitors or come across in the course of enquiries or have had at the back of my mind for years.

 

 

The river entrance gate to Cremorne Gardens, by Walter Greaves. The gardens were just a short step down the road from the Greaves boat yard where he and his brother worked in the family business. During the course of business they struck up a relationship with Whistler who liked to make sketches from their boats. Walter and Henry became close enough to the great artist to get some lessons from him, although it all turned sour in the end as Whistler’s friendships seemed to do. Walter inserted the figure of Whistler into many of his pictures, but the man in this picture could just as easily have been Greaves himself who modeled his personal style on that of the master. Neither of them are in this picture.

 

 

Lindsey Wharf, looking east I think.  The pub is the Queen’s Arms, a different pub from the King’s Arms, which was also in that vicinity. Chelsea enthusiasts may like to try to reconcile this view with photographs of the area. Forgive me if I  don’t do that today. Normally I like the minutiae of locations but we could be here all day.

[Added 18 September – at the prompting of Chris Pain, Chelsea history expert – see his comments below – I have reverse this image to make things clearer]

I’ve done a couple of posts of Ascroft in the early days of the blog, but cannot resist putting in one of his pastel sketches showing a country lane, probably in the Putney area, with one of his characteristic skies.

 

 

Horace Van Ruitl, on the other hand was an unfamiliar name to me until a few weeks ago when a researcher working on hid biography asked to see what we had. Scattered in the Chelsea general sequence were several pictures mostly of the interior of Chelsea Old Church. Once I had gathered them together I was quite impressed. This is a detail from one of the larger pictures which I chose because of the two women who add a burst of colour to the subdued scene.

 

 

Van Ruitl was like Ascroft a well known professional name in his day, and not completely forgotten.

This artist, Juliet Williams, is probably an amateur but an artist who was absolutely obsessed with the gates of Cheyne House. Here they are in winter:

 

 

And here in summer:

 

 

We also have an autumn and a spring, but also eight other versions, smaller and larger, sketches and completed pictures. I could practically fill a whole post with them. But I won’t. (Although that’s an idea for Christmas).

Chelsea is full of picturesque locations for painters. But the Kensington amateurs produced plenty of pictures too.

 

 

This is a pen and ink sketch by Frank Emanuel. We’ve seen his work before here, a picture of Tower Cressey, but this a a simple street scene showing Silver Street, which was the former name of the northern section of Kensington Church Street, leading up to Notting Hill Gate. The figure of the woman is what makes this one special I think. I wish he’s done more pictures of people.

Elizabeth Gladstone was an amateur watercolourist who was featured in the same post as Emanuel. This picture looks down Derry Street / King Street towards Kensington Square.

 

 

If you study the 6th image in this post on the development of the Barker’s building, you will recognize one of the buildings.

in contrast to Gladstone’s mostly late 19th century work, Joan Bloxham painted and drew in the 1930s.

 

 

Victoria Grove, still quite recognizable.

 

 

Another view I’m familiar with, Holland Street, a few minutes walk from the Library, showing the house of Walter Crane. He’s a famous artist we do have some work by, which we may look at one of these days.

Like many amateur artists, Elizabeth Gladstone’s pictures are usually simply views of street and buildings but occasionally she includes a curious detail as in this one.

 

 

York House, also in Kensington Church Street in the 1890s, featuring a sinister hooded figure, or is it simply a harmless monk? There were many religious establishments in Kensington in that period.

Finally, another Greaves for the road, signed by Henry, the less prolific of the two brothers, although they both often added to each other’s picture.

 

 

Chelsea riverside east of the Old Church, before the Embankment. Not an unfamiliar view for regular readers but we can always have one more.

This post is a bit of a trailer for others I might do this autumn about artists I haven’t covered in any detail so far so pardon me if it looks like a bit of a filler between Chelsea stories. I do need time between those.

Postscript

I feel that I tempted fate last week by noting the death of another musician from the golden age of popular music. I was saddened to read that even as I was writing last week’s post, another bass guitar player from one of the great bands of the 1970s had died. The name Holger Czukay may not be as familiar as Walter Becker, but for me he was an even greater name. He played bass and other instruments and electronics for the German avant garde rockers Can. I saw Can play live in several London venues  – the Lyceum, the Roundhouse, Hammersmith Palais, the Theatre Royal Drury Lane – all of which are no longer used as music venues . They practiced “spontaneous composition” rather than merely improvisation and seldom played the same material without some massive variations, according to the weather, their mood, or the audience’s mood (I once saw them suddenly turn on an audience whose attention was wavering and shock them into submission). Czukay also made a number of remarkable solo albums. He was one of the first to use samples in his recordings. I’d better stop with that before I get maudlin. Can’s drummer Jaki Lieberzeit also died this year, leaving only their two vocalists and founder member Irmin Schmidt.


Towers of Kensington

Towers aren’t necessarily tall. But they are often unexpected. You see them from a couple of streets away and you’re not quite sure where they are exactly. You glimpse them from an upstairs window. Or sometimes they’re miles away and even when they’re big it’s not always clear where the bottom of the tower lies. You can watch them for years from your bedroom window or walk past them on your way to work and then suddenly they’re gone. Like this one:

Tower in grounds of Campden House on corner of Sheffield Terrace and Kensington Church Street GN57

This photograph from the early 1900s shows the remains of tower that stood in the grounds of Campden House. Campden House was a very old house which burned down in the 1860s. There was a dispute about the insurance but it was rebuilt. This must have been a piece of the old property which lingered on until it too vanished in the twentieth century.

They liked a tower in the Campden Hill area.

Tower Cressy

This gothic pile is Tower Cressey which lurked mysteriously at the end of Aubrey Walk near the top of the hill.

Tower Cressy by Frank Emanuel FE14 Cpic683

The artist, Frank Emmanuel, slightly exaggerates the slope from left to right but Campden Hill is quite steep in parts. A hill is a good place to build a tower and makes it even more imposing but when the German bombers came it was an easy target.

Tower Cressy ruins by Gertude Keeling Cpic795

It became a picturesque gothic ruin for a short time in this picture by Gertrude Keeling. Tower Cressey no longer exists but here is a tower which never was:

Central Library architect's drawing view from south

This impossible view of Kensington Central Library from the south shows the equally impossible tower architect Vincent Harris had planned for Kensington Town Hall. It would have been an act of municipal shock and awe and would have dominated the skyline of Kensington. I don’t think it could ever have been built – it would have been just a bit too tall, and by the time there were serious plans for the site Harris was dead and his moment had passed. But I wish he had left some more drawings of his skyscraper.

In its day this was nearly the tallest tower in Kensington:

St Mary Abbotts from Observatory Gardens July 1892 by Elizabth Gladstone BG2453

The second St Mary Abbots Church glimpsed in the distance as towers should be in this water colour by Elizabeth Gladstone.

When it was completed in 1879 the 250 feet spire was the tallest in London and the sixth tallest in the country.

St Mary Abbotts c1898 K71-384  283 ABB-C

A view from 1898 showing the original roof over the nave which was destroyed in a WW2 air raid.

The most impressive tower in Kensington and slightly taller than St Mary Abbots lies a little further south.

Imperial Institute c1920 942-IMP-CS

This is the Imperial Institute about 1920 on its own road Imperial Institute Road. The green domed tower sometimes called the Collcutt Tower after its architect now usually known as the Queen’s tower is all that remains.

Imperial Institute tower 1961-2 K62-762 942 IMP-CS

The same scene in the 1960s.It’s an old story. When Imperial College was built it was decided to retain the tower. I came to London in 1973. My friend Carl was at Imperial and he took me to see the tower looking alone and immense in the setting of the college. And unfortunately completely closed to the public then. It is possible to arrange visits now I believe but apparently there are a lot of stairs to climb to get to the viewing gallery. Perhaps it’s merely ornamental now but it is a pleasing landmark. There were two secondary towers which were demolished and this is one of them:

Imperial Institute secondary tower possibly looking wes K61-7 942 IMP-Ct

You can just about make out Gloucester Road at the junction with Victoria Grove on the left and the lengthy mews behind Queen’s Gate. So we’re pointing west again back towards Campden Hill.

I have one final lost tower for you back on the hill, a tower which stood for a hundred years.

Campden Hill Gardens with water tower PC664

It’s the water tower for the Grand Junction Company water works here seen looking up Campden Hill Gardens but visible on the skyline in many views of Kensington. In a couple of weeks it will have a blog post to itself but next week I’m doing something topical (for 1890).

Postscript

I missed out Tower House but that too will get a post to itself one of these days.


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