I first came across this photograph in a history of 19th century costume. It’s been widely published in print and online so you may well be familiar with it.
The author in that book said that the woman on the right has been posed with the crinoline of her dress removed to fit into the picture. My immediate thought was that this was incorrect. In the first place there is clearly plenty of room for a full crinoline, and more importantly while Isabella Hawarden is wearing a conventional day dress her sister Florence is wearing some kind of fancy dress or theatrical costume around which a piece of white material has been draped in a way which echoes the shape of Isabella’s dress. Take a closer look.
I think you can see the same piece of material in this photograph:
That’s their sister Clementina sitting at the window with the same material draped around her. You’ll see it again in other pictures.
But before we go any further what about that title, the first fashion photographer? You let me get away with calling Edward Linley Sambourne the first style blogger but surely a woman who took photos of her family which were never published in her lifetime can’t really be called a fashion photographer? Well not strictly speaking but as I’ve said before the early photographers may have been limited by the technology at their disposal but had already grasped most of the uses of the new medium. Lady Hawarden was possibly the first photographer to be obsessed with the way fabric hangs on the female form.
She took atmospheric pictures of her three daughters which are not far off the work of a modern fashion photographer in the way she treats her subjects and are in many ways just as good.
This picture of Isabella was used by Penguin for the cover of an edition of Wilkie Collins’ Woman in White. It’s an appropriate choice. The image has an air of the loneliness and mystery which is a feature of Lady Hawarden’s work.
Isabella and Clementina in bohemian dress. As we’ve seen before when you take the Victorians or the Edwardians out of their conventional clothes they start looking modern. They even have the attitude.
Here’s Clementina on her own giving off an air of twentieth century ennui in front of some curious wallpaper.
Lady Hawarden posed her daughters in a variety of fanciful or melodramatic situations.
Isabella and Clementina playing out some psychodrama as if they were in a narrative painting.
Clementina channelling high emotion in a study of light and shade.
Clementina dressed as a man with Isabella in period costume.
Below, two pictures of Clementina in an elaborate dress playing another tragic heroine, first with a veil (a deserted bride?)
And back in that corner by the window, one of her mother’s favourite locations.
Have I made my case? In quiet sparsely furnished rooms young women solemnly pose, looking slightly overwhelmed by their extravagant clothes. The outside world is dim and distant. They’re in a kind of dream. It’s tempting to see these pictures in terms of Victorian gothic / sensation novel fantasy and the three sisters as grown up versions of Alice (Lady Clementina knew Lewis Carroll as a photographic colleague). But imagine these same images in colour with a famous fashion brand name underneath published in Vogue or one of those new fashion magazines like Love. Imagine the Cocteau Twins, or Warpaint or Mogwai playing in the background. You’d pause to appreciate the styling or the set or the model and flick to the next page without thinking you’d seen something from the first days of photography.
Clementina becomes timeless and you see the image of a woman which could have been created any time in the last hundred and fifty years.
On either side of the mirror another world.
Clementina, Lady Hawarden died aged forty two in 1865. It has been suggested her health was badly affected by the chemicals used in photographic processes. Had she lived she might have developed her artistic vision and become one of the greatest photographers of the 19th century.
This week’s photographs come from various sources including the excellent book by Virginia Dodier published by the Victoria and Albert Museum whose collection includes the original Hawarden photographs. The book is out of print now I believe but still available second hand and in good libraries. I avoided reading it again when I decided to write this post in case the author had far more clever things to say than I could manage..
I’ve wanted to write about Clementina’s photos ever since I first came across them. The Kensington connection is slight – the Hawardens’ house at 5 Princes Gardens was just over the border in the City of Westminster but I believe the houses in the background of the balcony views might be in Kensington. As Lady Hawarden worked on her dreamlike interiors a few miles away James Hedderly was setting up his camera in the street. Two people from different social classes with the same obsession both taking part in the creation of a new art form.
Another post about Clementina and her daughter.
October 4th, 2012 at 9:05 pm
Glad to have found you and your blog on history, photography and photography history… I grew up across the street from the K&C Library on Campden Hill Road but I do NOT remember it looking as glamorous as it does in your photo.
October 9th, 2012 at 10:48 am
May I recommend to you a Swedish film by the great Jan Troell, called “Everlasting Moments,” about a poor Swedish woman at the time of photography’s childhood, who was given a camera as payment for a favour? She did striking work in spite of being constrained by her gender, maternal duties, social class, poverty and drunken husband.
October 12th, 2012 at 8:48 pm
Beautiful photos! I love the one of Clementina (and what a pretty name!) sitting in front of the star wallpaper.
June 9th, 2014 at 1:29 pm
[…] Artículo sobre Lady Hawarden como primera fotógrafa de moda. […]
December 26th, 2014 at 1:50 pm
[…] https://rbkclocalstudies.wordpress.com/2012/10/04/the-first-fashion-photographer-clementina-lady-hawa… […]
September 10th, 2015 at 6:08 pm
Hi, do you know which edition of Woman in White Penguin used the picture of Isabella for the cover? I agree it’s an appropriate choice! I’m writing my dissertation about photography and the novel, but cannot find the edition you mention. Please help!
September 10th, 2015 at 11:15 pm
Hannah
It was a long struggle through the piles of books in the bedroom but at last I can reveal that it was the 1999 Penguin Classics edition edited with an intro and notes by Matthew Sweet (who wrote Inventing the Victorians, an excellent book which has a painting by Thedore Roussel on the cover of his lover, one of the Pettigrew sisters who also worked as models for Edward Linley Samborne) Penguin keep changing the cover.
Dave
September 13th, 2015 at 5:27 pm
Oh thank you so much!!! Yes, I searched online and the Penguin site and couldn’t find it. Now I am struggling to find the image permission for the photograph. What was your source if you don’t mind me asking? I’ve searched everywhere including V&A, and National Media Museum who have a lot of her work, with no luck. Many thanks!
Hannah
September 13th, 2015 at 8:03 pm
Hannah
I scanned the images in the post from Virginia Dodier’s book about Lady Hawarden (now out of print I think). I assume the V&A own the copyright. I wouldn’t have thought you would have any problem using the image in a dissertation.
I have to admit I never got very far with the book itself. I know the story from the TV adaptation of course. If you’ve read my post about Evelina you know I prefer to look at the pictures. I Wonder if anyone ever did a graphic novel version?
Dave
September 13th, 2015 at 5:29 pm
ps. Did you enjoy ‘The Woman in White’?
September 14th, 2015 at 4:26 pm
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[…] The first fashion photographer: Clementina, Lady Hawarden en rbkclocalstudies (EN [12f]), […]
July 17th, 2016 at 4:38 pm
[…] A primeira fotógrafa de moda: Clementina Hawarden […]
August 8th, 2017 at 12:54 pm
[…] voornamelijk van haar volwassen dochters Isabella, Clementina en Florence. Ze was misschien wel de eerste fotograaf die geïnteresseerd was in de manier waarop stof om een vrouwelijke vorm viel. In het chique huis […]
October 17th, 2017 at 7:45 am
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August 13th, 2018 at 5:57 pm
[…] The fourth of the Victorian Giants and another photographer that is new to me is Clementina Hawarden; some of her work can be seen here. […]
October 20th, 2018 at 9:03 pm
I want these framed and on my wall. Really exquisite.