This week we’re going back to that house we caught a glimpse of in the post about two photographs from the 1860s. In the course of the research about them I came across not only an estate agent’s brochure for the house but also a hand written mock-up of the brochure from Chesterton’s, who have been long established in Kensington.
This week’s pictures are not of the same house though, not really, because in 1937 when it went on the market the Victorian suburban villa had been turned into an ultra-modern town house, with every new convenience. It was “a model example of the art of reconstruction, combing all the advantages of the old and new; with every possible labour-saving refinement.” They always say that though, don’t they? Let’s go on a tour and see for ourselves.
The house was re-modelled according to the design of George Grey Wornum, a leading architect of the day, now remembered best for the RIBA building in Portland Place, and the interior of the ocean liner the Queen Mary. One of the pieces about him I read called him something like a progressive traditionalist. You can see that. It looks like a 30s building but not nearly as radical as say the two houses in Chelsea Old Church Street we looked at last year.
Inside the prospective buyer could see some understated luxury.
One end of the drawing room, with its “recessed hardwood staircase providing additional access from the dining room ..and leading to the south terrace.”
The view of the other end of the room shows “the maximum natural light” (the 20s and 30s were the era when people really began to appreciate , and even worship sunlight”. This “superb room” is “of a height quite unusual in a modern London house and, while homely, is suitable for receiving 150 guests”. Not that homely then.
In those days you also had a library, “panelled in a rich brown walnut” with “large concealed cupboards built in.”
There’s another example of a library in a 30s conversion here.
“The casement door leads to the garden beyond.”
“Campden Hill is quiet and healthy” Far from the madding crowds of Kensington High Street down the hill but still convenient for the shops. The three big stores on the high street all owned by the John Barker company by this time were in their heyday in the 30s.
“The Terrace is electrically lit”. The door on the left is the Library. The other three open off the drawing room. Note the sun terrace on the second floor, another favourite feature of the sun worshippers.
The far end of the garden “contains an Italian pool and a delightful sunken rose garden, overlooked by a small summer house.”
You could have quite exhausted yourself by this point, trekking to the rear of the property. Just have a quick look at some of the “fittings and equipment”:
“The Iron Fireman Stoker fitted to the Boilers is Thermostatically controlled and stokes automatically for weeks on end with no labour other than the simple operation of the removal of clinker.” Sounds great. Just get the parlour maid some overalls and she can do it. She can relax afterwards in the Servants Sitting Room.
“The house is centrally heated on the Panel System. Electric Power Points are also provided in every room.”
There’s more natural light in the dining room through the “glazed ornament cases”. The artificial lights are “cleverly concealed in ceiling and cornice”.
Here’s the view of the dining room from the hall.
At this point in the tour you’ll want to have a look upstairs, via the “circular sweep of the landing”.
And we can relax in the principal bedroom.
It’s another nice large room, with a shiny ceiling.
You get a rug by the fireplace with its own sheep.
The suite is completed by a large dressing room, two bathrooms in pastel shades and a wardrobe corridor, its walls lined with seven completely fitted and automatically lit lady’s wardrobes (gentleman’s wardrobes are in the dressing room).
Is that the door to the wardrobe corridor? Some nice padding there. If you get lost in there, the maids’ bedroom (for four occupants) is also on this floor, with their own bathroom in a seperate corridor. An improvement on the attic, no doubt.
I certainly wouldn’t complain. Just take the weight off your feet before you go.
The house is still there, in Upper Phillimore Gardens with some alterations to the front (and possibly many inside). Apart from the other links I’ve inserted you could also have a look at some slightly earlier “modern” interiors added to the gothic mansion known as the Abbey, which was just down the hill. There are some colour pictures of 1930s interiors here.
A couple of days ago we had a launch for our World War 1 exhibition which will travel around libraries, schools and community centres in the Borough over the next few months. My tanks to everyone who made it happen. For those of you who won’t get to see it, much of the material we used, from our archives, and contributions from local people, is also on our Great War website: http://www.kcworldwar1.org.uk. Have a look.
Postscript to the postscript – April 1st
I’ve just looked at a copy of Trystan Edwards’s Good and bad manners in architecture (1924) courtesy of my colleagues at Westminster Central Reference Library. It contained a picture of the house prior to Wornum’s remodelling. Here it is:
It’s the gothic one. If you remember this was also discussed in the post Two streets in Kensington. Thanks to Susie H for retrieving the book.